When checked ON sends the to the region name instead of the newly generated. (Pro Tools, Nuendo/Cubase, REAPER, Logic Pro X) Note: This state can be temporarily reversed, if you need to drag a file to another location or internally inside BH, by holding the ALT key on PC or Cmd key on Mac. This is very useful when working on one monitor or when you are using Edit Mode with video in Nuendo. When checked ON, if you Drag and Drop a sound from BH, the selected target application will jump into focus. IMPORTANT: For Spotting function to work correctly should never have this option ON unless you know 100% the Sample Rate of all the source files match the DAW session Sample Rate. If this all doesn’t make complete sense to you then leave this setting OFF until it does.
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Personally, my top 3 songs on this album, which in my opinion is the best album of 2016 so far, are “Views,” “Keep the Family Close”, and “Weston Road Flows. For example, he takes the hook of a classic DMX song in the track “U With Me.” He also remixed the song “One Dance” so well that you can not even find the original version on Youtube. He gives the people proper credit and does not just take the work, he just remixes it to a version that his listeners would want. One thing people can knock on this album, that Drake has done throughout his career, is take pieces and lines from other songs and remixing them into his own. He might not be on the Nas or even Tupac level of lyricism, but the flow and producing of the songs tops all. There’s no shortage of nods and namechecks to the city in Drizzy’s output and Weston Road Flows may reign as the most Toronto-y cut in a discography. One thing Drake critics can’t deny is his ability to have a good, catchy flow combined with lyrics that really make you think. Drake’s love of Toronto and unabashed civic pride in being the self-proclaimed 6 God is so vivid that if he didn’t exist, you’d think he was the tourism board’s wet dream. Lyrically, Drake has been great throughout his career, but after listening to this album, it seems that he’s bumped up to a whole different level. Personally, I’ve seen a lot of similarities from his last album “Nothing Was The Same” with songs such as “Weston Road Flows” and “Views.” This well-rounded album also put in songs that people have heard before such as “Hotline Bling” and “One Dance.” From the slower, more sentimental songs such as “Keep the Family Close”, “Redemption”, and “Fire and Desire” all the way to much more uptempo songs like “Hype”, “Grammys feat. Releasing originally on Apple Music, then on Spotify weeks later, listeners have had time to digest the album after all of the hype.įrom the beginning of the album I knew it was going to be some of the classic Drake mixed in with his new style he’s developed over his last mixtape “What a Time to be Alive.” Drake has shown he can work with a variety of music. Fans were expecting this to be some of Drake’s best work yet, considering he has talked about the release of this album for more than a year. One of them ones Right Weston Road Flows, I did this shit for my nigga Renny Back when we couldn't buy pizza 'cause we were down to pennies Feel like we go back a century, runnin' to store for Centuries And bring 'em back to your brother man we had to respect it He was wavy doin' mixtapes out of your basement He let us hit the weed on occasion for entertainment Then he would leave us at the. "I got a club in the Raptors arena / Championships, celebrations during regular seasons."Īnd of course, we can't talk Drake and basketball references without giving some attention to Raptors legend Vince Carter, as the hip-hop artist did in "Weston Road Flows.One of the most highly anticipated albums of all time, this 20-track album satisfied the needs of Drake listeners. So obviously, Drake gave that some love in "30 for 30 Freestyle." Oh, and he has his own club in Toronto's Scotiabank Arena : Sher Club. It's unclear whether massaging head coach Nick Nurse during the game is considered part of his duties as a team ambassador. We are going balls to the wall over here, as if weve all been cooped up all winter and finally just got. "F-k all that rap-to-pay-your-bill s-t / I'm on some Raptors-pay-my-bills s-t." That 'Weston Road Flows' Sample Is Fiiiiire. "A lot of people just hit me up when my name is mentioned / Shout-out to KD, we relate, we get the same attention / It's rainin' money, Oklahoma City Thunder / The most successful rapper 35 and under."ĭrake even mentioned being a Raptors team ambassador on the song "0-100/The Catch Up." NBA on TNT didn’t want it, but we got it!” after the clinch their first trip to the Finals in franchise history! It’s a bit of a shame that the package lacks the additional minigames of its console counterpart, but we can live without that. The level design and aforementioned variety also ensure that experiencing these titles for a third time won’t leave you rolling your eyes, as they still feel as fresh as ever – even after you know exactly what to expect next. That doesn’t make this compilation worthless, though, as the short missions, straightforward controls, and simple structure all make it perfect for portable play. Due to the third game’s inclusion as a separate download, it certainly holds up the best, but if you’ve never enjoyed the surprisingly strong stories at the heart of this trilogy, you should plump up for the PS3 game. It’s a simple consequence of space limitations, which also means that that some of the audio sounds a little fuzzy to boot. While the original HD remake possessed some iffy cut-scenes – a consequence of the manner in which many of these pre-rendered sequences were originally encoded for the PS2 – they are much worse here, opting an appearance akin to a YouTube video streamed through a 56k modem. It’s just a shame that many of these revealing cinematics have been compressed to within an inch of their life in order to squeeze them onto the handheld machine. There are some framerate flaws present that don’t affect the console release, but the transition to Sony’s portable console is largely spot on. M has constructed in order to encase the super secret Cooper Vault. The opening mission of the latter title is especially appealing, depicting a stormy island scene which you must traverse while rain batters the futuristic fortifications that antagonist Dr. This is partly due to the excellent conversion, but also the borderline timeless artstyle, which employs big blocks of colour and strong shading to create a comic book-like appearance. At the time, these titles represented a culmination of the Seattle-based studio’s experience with the PS2 hardware, and they still look outstanding today. However, it’s easily eclipsed by its successors Sly Cooper 2: Band of Thieves and Sly 3: Honour Among Thieves. Its cel-shaded visuals look the part, and hold up on the handheld well. This is a much more straightforward platforming affair, in which you move between sub-stages Super Mario 64-style, collecting keys and putting down bosses in pattern-based battles. Here you’ll control the titular tea leaf almost exclusively, as you move between exotic hub worlds, collecting pages from the character’s thieving thesaurus, which has been stolen by a meddling gang known as the Fiendish Five. Sly Cooper and the Thievius Raccoonus – which is the first entry in the franchise – is perhaps a little simplistic in comparison to its predecessors, but it’s still entertaining in its own right. They play great, too, with each instalment representing a sizeable stride in the studio’s heist hopping ambitions. |
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